Harry Potter and the Cursed Child officially opened in London's Palace Theatre, and the fans are ecstatic, says the Telegraph.
Theater critic Dominic Cavendish went into the theater a skeptic, but came out calling the play a "triumph."
Those involved can give themselves a pat on the back. It's a triumph. Not an unqualified one – there are some quibbles – but in all key respects, it grips, it stirs, it delights....You can't stop watching. That's partly down to the thrill-a-minute nature of the stage-craft, which kicks off the moment the Hogwarts pupils simulate the famous leap-of-faith charge from 'muggle' King's Cross on to magical Platform 9 ¾, changing from everyday gear into school uniforms in the blink of an eye – how on earth do they do that?
"Real Potterheads will relish all the tiny in-jokes, though one next to me seemed mildly irritated by the exposition necessary to put the less fanatical in the picture...but Pottering along on its own terms, this show is a mere live owl short of Potteresque perfection."
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The New York Times reported that the producers of Harry Potter and the Cursed Child are already considering a Broadway production of the play. Although there have been some rumors that Harry Potter and the Cursed Child might go to Toronto first and New York City second, producer Colin Callender said the rumors were false. J. K. Rowling has made it clear that she would not object to this, as she would like to bring the play to as many Harry Potter fans as possible.