Edginess Is Why Bill Simmons and HBO Are A Perfect Match

Ernest Shepard

Bill Simmons and HBO are a perfect match. As reported by the Washington Post a couple of days ago, Bill Simmons and HBO have come to an agreement. The multi-year deal is for exclusive rights for many of HBO's platforms. This includes a television show, podcasts and features. Also, Simmons will continue to write. How HBO implements this remains to be seen, but a clone of Grantland, Simmons' creation, may be in the works.

Bill Simmons, the self-proclaimed "Sports Guy" was not retained by ESPN as his contract is nearing its end. The mastermind behind much of Grantland's success has not published anything on the website, nor appeared on any of the sports network's television programming since May. It was widely speculated that both sides were making attempts at coming to terms with a contract extension, but those talks fizzled as Simmons' star faded in the eyes of the ESPN brass.

Bill Simmons and HBO is a perfect match.

With HBO, he should have creative control over many of his projects. What made Bill Simmons interesting on ESPN is the fact that he was allowed to be himself for a long time.

HBO likes edgy.

For Bill Simmons, freedom will be a wonderful tool. HBO will give him the opportunity to speak his mind while not having to apologize for it. Freedom is a gift that is seldom realized today in the media industry. There are several reasons why his relationship with ESPN dissolved after 14 mostly successful years.

It was the journalistic freedom that led to the development of Grantland and the critically acclaimed documentary series 30 for 30. They are staples in the sports world and will continue to be for years to come. He now has the chance to strike gold twice. And this time it will be with a network, a pay for television network which will allow him to exude all of the passion he chooses to.

The gloves are now off. He can proceed in being no holds barred. That is just what HBO likes. Bill Simmons and HBO are perfect for each other.

(Photo by Amy Sussman/Getty Images the New Yorker)